Dr Kate Egan
Senior Lecturer in Film and Media

Research interests: Horror cinema, British cinema and  television, film censorship, audience and reception studies, film and television comedy, memory studies, local cinemagoing histories
Twitter: @kte75
Academia.edu: Profile
About
Kate is the author of Trash or Treasure? Censorship and the Changing Meanings of the Video Nasties (MUP, 2007), Cultographies: The Evil Dead (Wallflower, 2011), and (with Martin Barker, Tom Philips and Sarah Ralph) Alien Audiences (Palgrave Macmillan, 2016). She is also the co-editor (with Sarah Thomas) of Cult Film Stardom (Palgrave Macmillan, 2012), (with Jeffrey Weinstock) of And Now for Something Completely Different: Critical Approaches to Monty Python (EUP, forthcoming), and (with Jamie Terrill and Martin Smith) of Researching Historical Screen Audiences (EUP, forthcoming). She is currently working on practice-based research focused on the Dirt in the Gate cinema events and their audiences at the Shelley Theatre, Bournemouth, and writing a book which draws on the findings of an international audience project on memories of Monty Python. 
Qualifications
  • PGCTHE, University of Wales, 2011.
  • PhD in Film Studies: ‘Bad Objects: Taste, Consumption and the Changing Meanings of the Video Nasty’, University of Nottingham, 2005. 
  • MA in Film Studies, University of Nottingham, 1999.
  • BA (Hons) Film and Drama, University of Reading, 1997.
Professional Affiliations
  • Editorial Board Member for Media History Journal.
  • Member of Associate Editorial Board for Participations: Journal of Audience and Reception Studies.
  • Member of Steering Group, AHRC Global Cult Cinema in the Age of Convergence Network, 2013-2015.
  • Member of the British Association of Film, Television and Screen Studies (BAFTSS) and the Special Interest Group in British Cinema and Television.
  • Fellow of the Higher Education Academy (HEA), since June 2012.
Employment
Kate began working at Northumbria in May 2020, after working for twelve years as lecturer and then senior lecturer in film studies at Aberystwyth University. Between 2003 and 2004, she was a research assistant on the ESRC- funded The International Lord of the Rings Audience Project (run by Professor Martin Barker and Professor Ernest Mathijs).

Between 2016 and 2019, she was external examiner for the BA Film and Television Studies programme at Northumbria University, and, between 2009 and 2012, external examiner for the MA Film Studies programme at London Metropolitan University.
​​Institutional Roles
During her time at Aberystwyth University, Kate undertook roles as Departmental Postgraduate Research Coordinator, Departmental Postgraduate Taught Coordinator, Study Skills Coordinator for Film, Television and Media, and MA Film Studies Course Leader. For her role as Departmental Postgraduate Research Coordinator, she was nominated for a Student Led Teaching Award in 2015 for her Exceptional Contribution to University Life.
​PhD Supervision 
Kate has previously supervised 12 PhD Students to completion:
As First Supervisor:
  • ​Jamie Terrill, 'An Investigation of Rural Welsh Cinemas: Their Histories, Memories and Communities' (2019).
  • Thomas Alcott, 'Wrestling with Stardom: The Factors and Contexts that Inform the Relations between Wrestling Stars and their Audiences' (2018).
  • Nia Edwards-Behi, 'Remaking Controversy? Three Case Studies of the Changing Reception of Controversial Films and their Remakes' (2016).
  • Edward Payne, 'Football Memories: The Exploration of Football Fandom through Popular Cultural Memory' (2013).
  • Stephanie Jones, 'Masculinity and the James Bond Films: A Textual and Reception Study' (2013).
As Joint Supervisor:
  • Wikanda Promkhuntong, 'On Becoming Asian Auteurs: The Transnational Reputation Making Processes of Wong Kar Wai, Apichatpong Weerasethakul, and Kim Ki-duk' (2017).
As Second Supervisor:
  • Terence Bailey, 'Screenwriting Manuals, 1911-Present' (2015).
  • Emma Pett, 'A Contested Category: British Audiences and Asian Extreme Films' (2013).
  • Rebekah Smith, 'Tarantino's Audiences: A Cognitive-based Audience Research  Enquiry' (2011).
  • Sarah Ralph, 'Watching With Mother: How Film Stars are Utilised in Mother-Daughter Relations' (2011).
  • Russ Hunter, 'A Cross-Cultural Reception Study of the Films of Dario Argento in the UK and Italy' (2009).
  • Kerstin Leder, 'Audiences Talking "Fear": A Qualitative Investigation' (2009).
Modules Taught
​During her time at Aberystwyth University, Kate taught the undergraduate modules Film Genre: The Horror Film, Film Authorship, Studying Film, and Film and Cultural Identity, and the postgraduate modules Audience Cultures and Practices, Theories and Traditions in Film Studies, Film Culture, Research Methods and Traditions in Film Studies, Theories and Traditions in Audience and Reception Studies, and Cultural Encounters.
Public Engagement 
  • Introduction to a 40th anniversary screening of Monty Python's Life of Brian, Dirt in the Gate Movies, The Shelley Theatre, Bournemouth, December 2019.
  • Interview about the 40th anniversary of Monty Python's Life of Brian, ABC News Australia, August 2019.
  • Interview on The Digital Human episode 'Ghoul', BBC Radio Four, July 2019.
  • Interviews on BBC Good Morning Wales and BBC Good Morning Scotland about the Monty Python Memories project, August 2017.
  • 'Previously Banned: The Video Nasties and Moral Panic as Marketing Strategy on DVD' given as part of the Trash or Treasure? The Politics of Genre Cinema conference, held as part of the fourth Kurja Polt Genre Film Festival (entitled 'Repression and Revolt'), Ljubljana, Slovenia, April 2017.
  • Introduction to a rare 16mm screening of The Evil Dead, Dirt in the Gate Movies, The Shelley Theatre, Bournemouth, November 2015.
  • Interview contribution to the documentary Video Nasties: Draconian Days (Jake West, 2014).
  • Introduction to Countess Dracula, Abertoir: The National Horror Festival of Wales, 2010.
  • Interview about the screening of Monty Python's Life of Brian at the Aberystwyth Arts Centre, March 2009.
  • Knowledge exchange projects with the British Board of Film Classification (BBFC): I was part of a research team commissioned by the BBFC to conduct research on audience responses to sexual violence in controversial cinema in 2006, and, along with Professor Martin Barker, collaborated with the BBFC on a successful AHRC Collaborative Doctoral Award application in 2008.
Recent Conferences & Talks
  • '"So Well Acted" to "No Acting There!": Ridley Scott's Alien and Audience Responses to Performances in the "Chestburster" Sequence', Society for Cinema and Media Studies (SCMS) conference, Atlanta, March 2016.
  • 'The Film that was Banned in Harrogate: Local Newspapers, Monty Python's Life of Brian and the Expression of an Alternative Local Community', Research Seminar at Edgehill University, March 2016.​
  • 'Local Censorship, the BBFC and the Pythonesque: The British The Life of Brian Controversy', Research Seminar at Northumbria University, January 2016.
  • '"You've Never Seen Anything Like...": The Criterion Collection's Conceptions of Global Cult and Exploitation', Global Exploitation Cinemas: Historical and Critical Approaches Conference, Lincoln, May 2015.
  • 'The Film that was Banned in Harrogate: Local Censorship, Local Newspapers and Monty Python's Life of Brian', Society for Cinema and Media Studies (SCMS) conference, Montreal, March 2015.
  • 'Victimising the Victim: Fan Responses to the Kubrick-Duvall Relationship in The Shining (1980)', Society for Cinema and Media Studies (SCMS) conference, Seattle, March 2014.
  • 'Obviously, Naturally, Of Course...The Chestburster Scene: Audience Responses to an Iconic Film Moment', Media, Communications and Cultural Studies Association (MeCCSA) conference, Bournemouth, January 2014.
  • 'Local Censorship, the BBFC and the Pythonesque: The British The Life of Brian Controversy', Research Seminar at Queen's University Belfast, October 2013.
Recent Publications
  • Egan, K. (2020) 'Memories of Connecting: Fathers, Daughters and Intergenerational Monty Python Fandom' in Kate Egan and Jeffrey Weinstock (eds) And Now For Something Completely Different: Critical Approaches to Monty Python (Edinburgh: Edinburgh University Press).
  • Egan, K, M. Smith & J. Terrill (2019) 'Introduction to Themed Section: Researching Past Cinema Audiences', Participations 16:1.
  • Egan, K. (2019) '"The Overlooked, The Side-lined and the Undervalued': BFI Flipside, Cult DVD Labels and the Lost Continents of British Cinema', Cinephile 13:1: 13-17.
  • Egan, K. (2017) 'The Criterion Collection, Cult-Art Films and Japanese Horror: DVD Labels as Transnational Mediators?', Transnational Cinemas 8:1: 65-79.
  • Egan, K. (2016) 'Cults in British Cinema and Film Culture' in I.Q. Hunter, Laraine Porter and Justin Smith (eds) The Routledge Companion to British Cinema History (London: Taylor and Francis), 494-510.
  • Barker, M. K. Egan, T. Philips & S. Ralph (2016) Alien Audiences: Remembering and Evaluating a Classic Movie (Basinstoke: Palgrave Macmillan).
Peer Review
Kate has acted as a peer reviewer for journals such as Horror Studies, Media History, Participations, Journal of Popular Television, Historical Journal of Film, Radio and Television and Feminist Media Studies.
Kate has also peer reviewed monographs and proposals for Bloomsbury, Edinburgh University Press, and Palgrave Macmillan.